I work intentionally to try and make dense, complex things. We can move between genres and forms, from something that looks like a PowerPoint lecture to something that looks like an informercial to something that looks like a cinematic melodrama.
Anyone could be in the orchestra, or sports team, or arts club at my school. It was precisely the kind of inclusivity that now meets with a sort of scorn and derision as a prizes-for-all culture that generates only mediocrity. There's something so insulting about the idea that including lots of people means mediocrity.
Because it's difficult to have a career as an artist, and in every situation where it's difficult to have a career, it's even harder for women, for all the other reasons that it's harder in other fiercely contested fields.
For women who have children, the economic difficulty of sustaining a life as an artist maybe makes it impossible. There's no maternity leave, there's no pension.
If you look at my CV, just about everything I have done has come through a publicly funded institution; it is a career entirely built on that sort of support.