In my head, I consider 'No Turning Back' my 'dipping the toe in the water' album. It was mostly covers of favorite songs, and there were three originals in there. So, it feels like it was just my album to see what the temperature of the water was.
People expect you to change when you become a mother, and of course my priorities changed when I had Violet. She's number one in my life and the best thing that ever happened to me, but I still have fun. I am still myself, but that is made out to seem like I am rebelling against motherhood.
Don't lie - when you are 105 years of age - on your deathbed, thinking, 'I should have done a few things!' I would like to think I tried as much as I could.
For me, rockabilly is very, very exciting music. It's electric and kind of wild, you know? It's 'make your hairs stand up on the back of your neck' kind of music.
I love to cook. I love having friends over and family. I am definitely a feeder - I feed everybody. I am jumping around the kitchen like a crazy woman.
I'm in no hurry to get old. But when I do, I'll be out to enjoy every last minute. I see myself at 90 in some nursing home, waving my walking stick about as I jive to Gene Vincent records.
Everybody told me that if I insisted on doing rockabilly music, I'd never have a chance of selling any records. In fact, I lost count of how many people told me to ditch it all together, in favour, I guess, of sounding like everybody else.
I don't think the music that I do is nostalgic in any way; I don't think about going back to nice, old-fashioned music. I'm certainly influenced by old music, but I want to bring it slap-bang up to today.
I couldn't live on the singing at first, so I worked as a cleaner, in a launderette, in a garage, face painting and doing the windows of shops at Christmas, 'cause I had been to art college.
I know exactly what it's like to not have a penny. I know exactly what it's like trying to get a job. I know exactly what it's like having bloody one tin of Ambrosia left in the cupboard. But I know I can survive.
I like to escape; I like to write when I go on a walk - I'm kind of very fairy that way. I get inspired by the wind. Or when I daydream, that's when I write.
I lost a boyfriend over Elmore James. You know that moment when you send mixtapes at fifteen? He sent me pop hits, and I sent him Elmore James, and I never heard from him again.
I love festivals in that people seem to let their hair down more. I love that people run from stage to stage. I love going as a performer because you get to see band that you wouldn't necessarily go see.
I love the shape of '50s fashion: the clothes are very flattering; they let you out in the right places. I love high heels, too, as I'm only five foot three, although I always tell people I'm five foot five.
I got a great kick being in the Warner Bros. studios - that was really cool. I kept singing the 'Looney Tunes' theme song all day. I'm sure they haven't heard that one before.
I love to have no plans. It is amazing where your day can turn when you have no plans: meeting people or just going to a little pub on the side of the road.
American audiences are great. They get what I am doing, but as my band will tell you, nowhere tops the Irish audience. They are just brilliant. They are very open, but the Americans and Spanish come a close second.
I love to look back, but I don't want my music to be nostalgic. I want it to have the same vibrancy that the music I love had when it came out. I'm trying to get that electricity.
I never got formal training in music. I would just sit with my ear to the speaker and my hand on the needle. I'd listen to Wanda Jackson and think, 'How did she do that?,' and lift the needle and try it myself.
I never miss a vote; I think that's the power of the people. A lot of people fought and died for us to have votes, for women to have votes in particular - your vote is your one weapon.