One night I went over to get some dope from some Hollywood tough guy. After I left, my son Scott, who was only fifteen, went over with a baseball bat to kill him. I was laughing out of one eye and crying out of the other. I thought, Who am I kidding?
I never saw my dad cry. My son saw me cry. My dad never told me he loved me, and consequently I told Scott I loved him every other minute. The point is, I'll make less mistakes than my dad, my sons hopefully will make less mistakes than me, and their sons will make less mistakes than their dads.
I think we have to believe in things we don't see. That's really important for all of us, whether it's your religion or Santa Claus, or whatever. That's pretty much what it's about.
Some guys say beauty is only skin deep. But when you walk into a party, you don't see somebody's brain. The initial contact has to be the sniffing.
I really believe that you grow up a certain way in New York. There's a New York morality, a sense of loyalty. You know how to win and lose. There's a thousand kids outside, you know who to push and who not to push. There's a sixth sense you develop just because it's New York.
I play a guy who believes he's a king. He's the most common man in the world; in fact his family, like his suits, are just make-up. It's about dysfunctional people and dysfunctional relationships.
I remember at 16 years old, growing up in Queens, we were punks, but hey, when we went to the theater, we wore a shirt and tie! Similarly, I believe that to keep movie theaters in existence, they're gonna have to make 'em an event, have a couch, a table and drinks or something. Otherwise, there's no reason to get out of your bed!
I've never been difficult to anybody or with anybody on a picture. Especially when you're in that nice status of hierarchy of actors and actresses who get to approve directors. Because once you make that choice, it's my belief that the director's boss.
I have nothing against these big CGI movies, but there are not enough of the other ones - the ones with stories about character that have a beginning, a middle and an end. I said that to a couple of studio heads and they said, 'That's novel.'
Actors have bodyguards and entourages not because anybody wants to hurt them - who would want to hurt an actor? - but because they want to get recognized. God forbid someone doesn't recognize them.
It is that, but really, it's about how we don't recognise the little things in life, or appreciate the little things in life like belonging. A sense of belonging is a big thing today.
I loved 'Funny Lady' for whatever reason. People say they didn't know I could sing and dance. Well, nobody ever asks me - it's always, 'Punch this guy.'
I'm sort of a Walter Mitty. I got fewer brain cells than most people, so when I got friendly with cowboys, I started rodeoing. When I was calf-roping, there was something about the dirt that made me feel clean.
There's a big difference between wanting to work and having to work. And I had to learn that the hard way. Now money is very important to me, because I ain't got it.
People wonder why first-time directors can make a brilliant picture, then suck on the second one. It's because they're a little terrified the first time. So they listen to all the experts around them.
What I do quite honestly and seriously and not in any way being humble is not as important as what the garbage collector does. People make actors important.