I go into meetings with some film-makers and they literally have nothing to say, they're almost bored by their own material. I'd rather work with people who are very passionate and very animated about what they want to do. People who just want to tell stories.
I lost my mind at 15. I'd been shown a world where there were no boundaries, where everyone gave me all the power. And I was like, 'This is great!' Then that was gone. But I was like, 'Yeah, but I still want that.' I'd lost my humble, very quiet, introverted sensibilities which I think I definitely had as a kid.
You just have to surround yourself with people who are going to support and love you before trying to sell you as a product, or push you into something you don't want to do.
I don't think many people can say they've been the lead in a Spielberg film and still been able to live their normal life that they had before.
I hate the stereotype of the pitfalls of the child actor. There are so many amazing examples - Natalie Portman, Joseph Gordon-Levitt, Jodie Foster, Drew Barrymore - of people who have made it through.
I often find the smaller, independent films are much more rewarding than the bigger stuff, but you do the bigger stuff because it's a business, and you've got to show your face a bit, get yourself around.
I love the old Fred Astaire and Gene Kelly movies; they're so beautiful to look at. It's such a shame we don't make them anymore. Although, I don't know how you could make tap dancing current and topical.
Every interview I do, it's basically 'how did he do it,' and I owe it all to my representation, and my manager is basically like my mother, she's so picky.
What's weird is that I work with these directors and then I start channeling them. I kind of turn into them a bit - which is cool when you're working with Clint Eastwood.
Everyone is slowly catching on to this one - and I know everyone says this - but we need to make a little more effort with the environment. Everyone says they turn off their lights, but do they really?
Indiana Jones is very much an old-world kind of hero. He doesn't really have any kind of superpower or rely on any kind of technology to help him out of things.
We're kind of in a voyeuristic world. We have TV shows that are all about watching people do weird things in houses. People are obsessed with that. There's live coverage of it.