You know the circus performer who spins the plates in the air you know, and he'll spin six or seven plates in the air? Acting sometimes is kind of that guy spinning all those plates in the air but in your head and in your body.
I know some really great actors who are pretty judgmental people, pretty critical people. But they're great actors. When they're acting, that's the craft.
I didn't go out looking for negative characters; I went out looking for people who have a struggle and a fight to tackle. That's what interests me.
Vanity is something that will only get in the way of doing your best work, and ultimately if you're truly vain you care more about your work than how you look in your work. I actually consider myself a pretty vain guy when it comes to that.
When you become a parent, you look at your parents differently. You look at being a child differently. It's an awakening, a revelation that you have.
The film is made in the editing room. The shooting of the film is about shopping, almost. It's like going to get all the ingredients together, and you've got to make sure before you leave the store that you got all the ingredients. And then you take those ingredients and you can make a good cake - or not.
The idea that you have a vision of what you're supposed to be, or going to be, or where your kids are going to be - and that that doesn't work out - is always going to be something that's going to affect people and move people.
I think therapy is a helpful thing. I think everyone knows it. You do it for your life, you do it for yourself, because you want to explore some things, and get at the bottom of some things. It's about your life, the quality of your life.
When you're playing someone who really lived, you carry a burden, a burden to be accurate. But it's one that you have to let go of ultimately.
I've had to make the transition from sweeping in for 15 minutes, doing my stuff and clearing out, to carrying a movie for the duration - in a dress.
I've seen a lot of friends who have a lot of great projects, whether it's a script or a play or whatever, and it is a great project and they have great people involved, and they can't make it.
I do understand what it is to not want to commit to someone, knowing that might bring pain or commit to a life that has to do with being responsible to people other than myself. These things, I think, are normal things.
There are a lot of things going on with my life right now that don't just have to do with career. So I have a hard time making decisions about work. That's really a luxury problem.
Being unemployed is not good for an actor. No, it isn't, no matter how unsuccessful you are. Because you always remember getting fired from all the restaurants. You remember that stuff very, very strongly.
People used to be funny about approaching me, but now they seem to think I'm as sane as anyone who's done what I've done in movies can be.
I like to come to the set with very strong ideas and strong opinions about how to do things. And I like also dealing with somebody who's like that.
I have so much empathy for these young actors that are 19 and all of a sudden they're beautiful and famous and rich. I'm like, 'Oh my God, I'd be dead.'
If I don't feel like I'm doing the job well, and I don't know how to get there, or I'm too scared, or whatever, I'm not a happy guy and I'm not pleasant. I'm not pleasant to be around.
If I was a little bit younger I would worry more. I'd want to do one thing at a time but now I try to do a bunch of different things at a time if I can.
I have a fine level of recognition in the business and among the acting community now, so I consider myself one of the lucky ones. If I didn't think that, there would be something wrong with me. I'm grateful and thankful for what I've got.