I've always liked pop music. There was a bit of a misunderstanding with the avant-garde rock scene, because I think I was sort of swimming the wrong way, really.
I don't know how many thoughts we have a second, but it's quite an amazing number, and just to pin down the appropriate sequence of those, all you really need is a pencil and a piece of paper.
It was physically difficult, adjusting to wheelchair life, but I remember a great relief and happiness that I was finally getting somewhere, finding musicians to work with that were sympathetic.
I think that pop, and to some extent rock, are like sport and fashion industry in that they're about the exuberance of youth. That's the sort of subliminal ideology.
Love is blind. My politics has been, too. I think you can fall in love with ideas, and you can fall in love with people. It's a very subjective experience. And I'm loyal to that experience.
People say, oh it's a shame, you're not nostalgic about the '60s. Well actually, it's quite good, when you think of it. Wouldn't it be sad if I was sitting here wishing it back?
It just doesn't mean anything to me, the high-profile, big money side of things. I just want enough to live on, and to be able to get on with what I do, and hang around my friends.
Those nations of artists, finding their own individualism, and kind of standing against the world: to me that's the ultimate nightmare. I want to get lost and diffused in the world.
I play music a lot but on my own mostly, so it was nice to be around other people. There was a certain sense a relief in the physical act of just playing and being with other musicians.
When I lost the use of my hi-hat and bass drum legs, I became basically a singer. I was a drummer who did a bit of singing, and then I became a singer who did a bit of percussion.
Even if you're specific about the character of the song, it's more exciting to place them, juxtapose them in such a way as to make an adventure out of the sequence of the songs.
There are singers that I have enjoyed, from Nina Simone and Ray Charles onward. But the music that made music the number one thing for me as a youth was jazz.
I really liked them, not just Syd, but all of them. Roger was very important, I thought, his contribution. And so was Rick's organ playing. It was a good band. It became something else completely, obviously.
If you've never felt that you quite got a hold of it, you just feel that before you die, you've got to try and get it right once. And hope that the experience you have makes up for the some of the diminishing energy.
I find it hard to take rock groups very seriously or treat them with respect. There is something absurd about these gloomy young men getting together and banging away.
There are people I would like to work with. It's a bit harder, because I live out in the sticks anyway, and plus being in a wheelchair means that I can't really circulate. So I tend to stick to my own thing.
People are quite shocked when you remind them that Elvis Presley and Frank Sinatra never wrote a song that they recorded in their lives, as far as I know.
My heroes are people like Picasso and Miro and people who at last really reach something in their old age, which they absolutely couldn't ever have done in their youth.
When there is a voice in a piece of music, we tend to focus on the voice. That is probably something from when we were babies and we depended on hearing our mother's voice.